Buffs of buried-treasure and long-ago true-crime tales will enjoy Preston’s expertly woven tales.
More adventure journalism from the noted thriller author.
As Preston, author of The Lost City of the Monkey God, writes in an engaging introduction, “I could never have become a novelist without first being a nonfiction journalist”—or a childhood reader of adventure tales, including one about the presumed pirate booty buried on Nova Scotia’s Oak Island. The author remembered that particular yarn as a grownup, traveled there, and wrote a story for Smithsonian that was “the most popular [article] the magazine had ever published.” His story, like many included here, turns up more questions than answers, but it’s worth noting that it also spawned a long-running reality-TV series that, if nothing else, speaks to our fascination with all things buried. One piece centers on the so-called Monster of Florence, whose brutal crimes Preston tracks long after the fact, confident that he could reveal the true story behind them, only to conclude, “Any crime novel, to be successful, must contain certain basic elements: there must be a motive; evidence; a trail of clues; and a process of discovery that leads, one way or another, to a conclusion,” adding, “life…is not so tidy.” Among the assorted untidy puzzles is the twisted tale of Kennewick Man, a skeleton that turned up in an eroding Washington riverbank and that touched off a huge controversy when its DNA suggested ancient European origins. It’s one of several archaeology-based pieces that deal with similar controversies: whether the possibility that cannibalism may have taken place in the ancient Southwest (with the ghoulish problem one archaeologist faced: “he needed a way to identify human tissue that had passed through the digestive system of another human being”), or why hundreds of skeletons were found at a lake high in the Himalayas.
Buffs of buried-treasure and long-ago true-crime tales will enjoy Preston’s expertly woven tales.Pub Date: Dec. 5, 2023
ISBN: 9781538741221
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: Sept. 15, 2023
Kirkus Reviews Issue: Oct. 1, 2023
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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