by Douglas R. Hofstadter ‧ RELEASE DATE: March 13, 2007
Doesn’t quite add up to a unified theory of anything.
I think, therefore I am. But what is think, and what is I? Returning to themes first visited in Gödel, Escher, Bach (not reviewed), Hofstadter ponders most idiosyncratically.
Humans think because we can and must, for reasons of mental architecture and accidents of evolution; we do so, Hofstadter suggests, by recalling things we have already thought about and employing metaphors, analogies and concrete images to communicate our thinking to others. Others are important, for there is a social quality to I-ness; in one memorable passage, Hofstadter writes of his wife’s early death and her ongoing presence in his mind, as if he were allowing her to use some of it to continue to live. We humans wrestle with the ghost in the machine, looking for the soul or “that special kind of subtle pattern,” whatever it is that lies beneath. Hofstadter, one of whose specialties is the study of feedback loops in complex systems, coins sometimes unfortunate terms for our own loopy ways of thinking, among them “thinkodynamics” and “statistical mentalics,” but the governing idea is a fruitful one: There are large-scale and small-scale things happening within our minds all the time, but it can all seem like a funhouse mirror, just as Hofstadter recalls a philosophical treatise “talking about how language can talk about itself talking about itself (etc.), and about how reasoning can reason about itself.” He adds, “I was hooked,” which would explain his sometimes maddeningly circuitous explorations into, say, the manipulation of symbols or the nature of dogness. And what, in the end, is I? Perhaps “a certain abstract type of locked-in loop inside the careenium or the cranium,” perhaps “a shimmering rainbow-like entity that first recedes and then disintegrates entirely as one draws ever closer,” perhaps just “little miracles of self-reference.” Or perhaps not.
Doesn’t quite add up to a unified theory of anything.Pub Date: March 13, 2007
ISBN: 0-465-03078-5
Page Count: 384
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
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by Alexander Sergeevich Pushkin & translated by Douglas R. Hofstadter
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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