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by Douglas R. Hofstadter ; Emmanuel Sander ‧ RELEASE DATE: May 1, 2013
Certainly not for all readers, but first-rate popular science: difficult but rewarding.
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Best Books Of 2013
How do we know what we know? How do we know at all? With an enjoyable blend of hard science and good storytelling, Hofstadter (I Am a Strange Loop, 2007, etc.) and French psychologist Sander tackle these most elusive of philosophical matters.
The authors write that “each concept in our mind owes its existence to a long succession of analogies made unconsciously over many years, initially giving birth to the concept and continuing to enrich it over the course of our lifetime.” The word “band,” for instance, can mean many things, from an invisible set of wavelengths to a wedding ring to the Beatles; each of those designations forms by analogy to the others, a process made more complex by virtue of the fact that words, even the most ordinary of them, “don’t have just two or three but an unlimited number of meanings.” Given all that, it is hardly surprising that one man’s meat is another’s poison—and therein lies the complement to analogy formation, “the very lifeblood of cognition,” namely classification or categorization, with the ancillary process of abstraction (whence, for instance, the category “non-square rectangle,” containing eight subcategories of rhombuses, parallelograms and so forth). Hofstadter’s works are never easy reading, and this one is no different, chockablock full of words such as “zeugmaticity” and “factorization” and with plenty of math to daunt the less than numerate. Yet it’s worth sticking with his long argument, full of up-to-date cognitive science and, at the end, a beguiling look at what the theory of relativity owes to analogy.
Certainly not for all readers, but first-rate popular science: difficult but rewarding.Pub Date: May 1, 2013
ISBN: 978-0-465-01847-5
Page Count: 464
Publisher: Basic Books
Review Posted Online: Feb. 11, 2013
Kirkus Reviews Issue: March 1, 2013
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by Alexander Sergeevich Pushkin & translated by Douglas R. Hofstadter
BOOK REVIEW
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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