An artful, thought-provoking, and memorable work of fiction.
A modern-day parable about truth, retribution, and grace that combines gritty inner-city realism with fairy-tale symbolism.
This unusual and ambitious novel from the author of Garden’s Corner (1997) packs multiple stories, dozens of characters, and profound ideas about the meaning of life, the value of faith, and the nature of truth into just 250 pages. The Boy, a 10-year-old who narrates half the chapters, lives a quiet, ordinary life on a nice, safe block in the City (a place that natives of Brooklyn, New York, will recognize). He rides his bike to the pizzeria and playground, goes to school and church, and stays away from a nearby housing project, named Gilead, where his mother doesn’t allow him to go. One day, a new tenant, known simply as the Old Man, comes to stay in the basement apartment that the Boy’s mother, a teacher, rents out. The man was a friend of the Boy’s grandfather and has returned to settle some unfinished business with people who harmed Mama in the past. Meanwhile, one of Mama’s young pupils has vanished after being picked up from school by her stepfather. The stories of the Boy, his mom, and the Old Man intersect in unexpected ways as the narrative moves back and forth in time, place, and point of view—from the rural South to the local church to the backrooms of the City’s illegal enterprises. The novel begins at a leisurely pace and builds through increasingly dramatic scenes to a powerful conclusion. Reed connects his narrative to timeless themes with his artistic choices, such as nesting stories within stories; giving the characters’ simple, descriptive names (the Pastor, the Kid, the Candy Man, the Merchant); and beginning every seventh chapter with a biblical quote. In engaging dialogue, the characters grapple with the impossibility of protecting children, the power of secrets, the value of storytelling, and whether a person can transcend his innate nature.
An artful, thought-provoking, and memorable work of fiction.Pub Date: Sept. 23, 2020
ISBN: 978-0-947481-87-2
Page Count: 264
Publisher: BookBaby
Review Posted Online: Dec. 24, 2020
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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