Adults searching to explain the mysteries of life to patient children will find these three a reverent answer.
The third Old Turtle story is a companion to the previous two (Old Turtle, illustrated by Cheng-Khee Chee, 1992, and Old Turtle and the Broken Truth, illustrated by Jon J Muth, 2003) and focuses on defining the purpose of life.
Seeking answers to heavy questions, a multiracial chosen few set out with the Old Woman to find Old Turtle. Each one “carries alone the weight of his or her question,” such as “Why are we here?” and “Can you tell us about play?” One double-page spread encompasses their journey. Once they reach Old Turtle, her answers are lengthy, spiritual, and lyrical. “We live that there might be more of life in the world. More live-li-ness. More beauty, more generosity, more variety, more of the gift of life itself.” Spanning pages and paragraphs, answers delve into the meanings of happiness, family, play, balance, evil, and, particularly, death, when “we merely return to the source of our life.” The illustrations, created with graphite pencil and scanned watercolors, are appropriately ethereal and breathe life into the messages, expressing a sense of well-being and creating a comforting, Zen-like feeling. Collectively, this trio of books offers a spiritual fable with a universal message. This publication is timed to commemorate the 25th anniversary of Old Turtle.
Adults searching to explain the mysteries of life to patient children will find these three a reverent answer. (Picture book. 5-8)Pub Date: March 28, 2017
ISBN: 978-0-439-32111-2
Page Count: 56
Publisher: Scholastic
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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