Makes magic out of a true moment, as the best picture books do.
Adapted from Roundtree and McCabe’s book for adults, Mighty Justice (2019), a powerful episode from the childhood of the real-life activist is presented as an adventure.
Dovey Mae and Grandma Rachel slip out of the house in the hour before dawn, when “the midsummer night is dark and cool.” They walk toward the woods to pick blackberries, and the girl thinks they are the only ones awake in the world—but, quietly, more women join their “silent march, [their] secret mission, [their] berry picking.” Her grandma teaches her to walk in the dark. They follow the birds and stay close together. They taste, and they pick, and soon enough, they watch together as the sky turns colors, and the sun rises to usher in the day. With nighttime scenes bathed in deep purples and a final scene of daybreak in golden hues, this touching tale successfully conveys special moments of hushed expectation and quiet exhilaration between a child and her strong, loving adult. Reading co-author McCabe’s note about the story behind the girl, Dovey Mae Johnson Roundtree, and her grandmother, Rachel Graham, will make the story even more significant. At a time when domestic terrorism against African Americans was rampant, here was a relationship in which a young Black girl felt safe. The aftermatter details the importance of that relationship on Roundtree’s later work as a civil rights attorney. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 67.5% of actual size.)
Makes magic out of a true moment, as the best picture books do. (timeline, bibliography) (Picture book/memoir. 3-8)Pub Date: Feb. 9, 2021
ISBN: 978-1-250-22902-1
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
PERSPECTIVES
PERSPECTIVES
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
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