Unlikely to touch off a wave of imitators on these shores but an interesting sampler.
Illuminating collection of current writing from across the pond, as different from its American counterpart as a Paris croissant is from a New York cronut.
To gauge by this collection, universities in most European countries don’t offer a Master of Fine Arts degree. The contributors to this collection hold Ph.D.s in art history, ethnography, literature, philology, philosophy, and often, their publications are divided between fiction and politically engaged essays. The “enfant terrible of Galician literature,” Xurxo Borrazás, for instance, writes “transgressive fiction,” whatever that is, and, lately, “a challenging collection of essays on literature and politics.” The fiction here breaks down somewhat differently, and though the generalization is a loose one, it seems that writers from oppressive zones such as Belarus (“Well, we’re here to express our dissent against the politics of the ruling regime”) are just a wee bit more vocal about social/political matters than those from more forgiving climes—say, Switzerland, from which Christoph Simon turns in a tale reminiscent of fellow Helvetian Friedrich Dürrenmatt in which a presumably transgressive bookseller is ordered to be “put in a coffin...hammered shut with an iron nail, and...thrown into the river.” (Her mule, in addition, is to be turned into sausage.) It would stand to reason that the oppressed would be allegorical and the free representational, but no. In all events, the assembled collection offers a pleasing blend of realism, deconstruction and absurdism that sometimes vie for the dominant mood, as if the spirits of Slavoj Žižek and Samuel Beckett and maybe Georges Perec were fighting for first place. Sometimes all three meet, though, as in Belgian Thierry Horguelin’s meta-policier and Liechtensteiner Jens Dittmar’s alternately dark and goofy view of human relations: “[I]nstead of screwing her, he simply shoved her down the stairs.”
Unlikely to touch off a wave of imitators on these shores but an interesting sampler.Pub Date: Nov. 7, 2013
ISBN: 978-1-56478-898-6
Page Count: 420
Publisher: Dalkey Archive
Review Posted Online: Nov. 23, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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