by Drew Daywalt ; illustrated by Olivier Tallec ‧ RELEASE DATE: March 26, 2019
An entertaining thought experiment, but the characters are a bit too on-the-nose for pure comfort.
Anthropomorphic friends Monkey and Cake debate the mysterious contents of a cardboard box.
In a clear reference to Schrödinger, Monkey tells Cake that there’s a cat inside the box—but, supposedly, the cat disappears when the box is opened. Cake questions Monkey’s logic, wondering how they know there is a cat inside when the box is closed. Naturally, Monkey asks how Cake knows there is not a cat inside. Agreeing to disagree—and accepting the paradox—the pair leaves to get pie. The final pages set the matter straight once and for all. Taking a cue from the Elephant & Piggie series formula, the text consists entirely of dialogue. Speech bubbles are color-coded to easily match with characters (blue for Cake; yellow for Monkey). With a vocabulary of around 60 words, the dialogue offers plenty of repetition for emergent readers. Tallec’s expressive, dark-pencil–and-acrylic illustrations are set against a white background. That the characters are a brown monkey with an upturned cap and a yellow-and-pink slice of cake with a coating of brown frosting as hair opens the relationship up to racial analysis. In one spread, a zoomed-in portrait of Cake even looks like a white human. The simultaneously publishing This Is MY Fort! recycles the formula into a lesson on the cruelty of exclusion (Cake makes a fort in which no monkeys are allowed). In both texts, endpapers offer open-ended questions to contextualize the story.
An entertaining thought experiment, but the characters are a bit too on-the-nose for pure comfort. (Early reader. 4-8)Pub Date: March 26, 2019
ISBN: 978-1-338-14386-7
Page Count: 56
Publisher: Orchard/Scholastic
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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