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THIS REPUBLIC OF SUFFERING

DEATH AND THE AMERICAN CIVIL WAR

An illuminating study, well deserving of a place alongside Michael Kammen’s Mystic Chords of Memory: The Transformation of...

Awards & Accolades

  • National Book Award Finalist


  • Pulitzer Prize Finalist


  • National Book Critics Circle Finalist

A moving work of social history, detailing how the Civil War changed perceptions and behaviors about death.

Harvard president and historian Faust (Mothers of Invention: Women of the Slaveholding South in the American Civil War, 1996, etc.) begins with a recitation of some telling facts: The number of soldiers who died in the Civil War, about 620,000, equals those felled from the American Revolution to the Korean War; if it occurred today, proportionally, six million Americans would die. “Confederate men,” she adds, “died at a rate three times that of their Yankee counterparts; one of five white southern men of military age did not survive the Civil War.” Faust demonstrates that the war brought about a small industrial revolution of remembrance involving statues, memorials and national cemeteries. The last were undertaken, so to speak, soon after the war’s end, for throughout the South a stiff rainstorm would disinter the corpses of the fallen. As Faust recounts, at Shiloh “there were even reports of coffins floating like little boats down the Mississippi toward the sea.” Embodying old notions of honor and duty, the war also brought the notion of the “good death” to the forefront, even as Americans on both sides, confronted with appalling casualties, began to doubt that their sacrifices had any meaning. They also became inured to the sight of corpse-covered fields, and some even delighted in them. There are war-lovers in every war, of course, but this revelation was new: As one Vermont private wrote, “The more we get used to being killed, the better we like it.” Grief came privately, of course, but more profoundly in mass displays such as followed the deaths of Stonewall Jackson and Abraham Lincoln.

An illuminating study, well deserving of a place alongside Michael Kammen’s Mystic Chords of Memory: The Transformation of Tradition in American Culture (1991).

Pub Date: Jan. 10, 2008

ISBN: 978-0-375-40404-7

Page Count: 368

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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