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STRAVINSKY’S LUNCH

Of interest to students of modernist art and of women’s history.

A scholarly study of two obscure Australian painters, and not (as the title promises) of a Russian composer’s diet.

Australian writer Modjeska (The Orchard, not reviewed) starts off with good intentions: to uncover the forgotten stories of Grace Cossington Smith (who lived an Emily Dickinson–like life of internal exile at her childhood home near Sydney) and Stella Bowen (who moved to Paris as a young woman and was the longtime mistress of English novelist Ford Madox Ford). Both were modernist painters who crafted substantial bodies of work, with Bowen painting impressionistic portraits of expatriate writers and the French countryside, and Smith turning out lapidary studies that recall both Whistler and Chagall. The author does a careful job of describing the painters’ lives and methods, but as she progresses she allows more and more of herself into their story, until Smith and Bowen seem in danger of becoming mere foils for what becomes a tiresome self-reference. “I am of a disposition,” Modjeska proclaims, “that understands all too well the struggle between the desire to give in to the narrative of love and the almost automatic habit of keeping on, of somehow managing. I know the insistence of work and the support that comes from one’s bruised and brilliant women friends.” That’s all to the good, but her subjects get lost in the glare of her reflections—all solid stuff for the postmodern set but not much fun for anyone else. Still, Modjeska capably defends her interest in Bowen and Smith not only as artists, but also as women who for the most part set their own terms in a time when few women could get away with that. And until the standard reference works catch up to them, her many illustrations will serve to acquaint readers with two artists who deserve attention.

Of interest to students of modernist art and of women’s history.

Pub Date: Nov. 1, 2000

ISBN: 0-374-27089-9

Page Count: 384

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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