by Duncan Hannah ‧ RELEASE DATE: March 13, 2018
Devotees of the underground art and punk scenes of 1970s New York will devour Hannah’s journals, each page of which contains...
An intensely personal and engrossing portrait of a bygone era.
As Hannah states in the preface, his first book is “not a memoir,” but rather “journals, begun in 1970, at the age of seventeen, written as it happened, filled with youthful indiscretions.” As such, it benefits from an immediacy and exuberance that the hindsight, self-censorship, editing, and foggy recollections of a proper memoir would most certainly lack. The book begins rather unceremoniously with the author in high school in suburban Minneapolis; he was a budding artist and musician, precocious reader, and typical rebellious American teenager in search of drugs, sex, and kicks. He longed for big city nights far from his staid surroundings, and after a short tenure at Bard College, he landed in Greenwich Village in 1973 to attend Parsons School of Design. An avid partier and drinker in the right place at the right time, the author met and/or befriended a variety of the celebrities of the day, many of whom would go on to become legends (Patti Smith, Andy Warhol, David Bowie). Hannah's frequently poetic descriptions of his underground cohorts recall Genet’s parade of subversive heroes, and the author’s enthusiasm for la vie bohème and general disdain for the square world at times read like a cross between a glam-rock Kerouac and a stoned Holden Caulfield (in the best possible way). Along the way, readers receive all the lurid details of the author’s sex life—by turns romantic, erotic, dramatic, and hilarious—as well as a portrait of a young artist truly coming of age. Eventually, Hannah spent less time hanging out with rock stars and more time in his studio, culminating in his showing several works in the Times Square Show in 1980 alongside luminaries like Keith Haring and Jenny Holzer.
Devotees of the underground art and punk scenes of 1970s New York will devour Hannah’s journals, each page of which contains something fascinating or worthy of note—best enjoyed while listening to Bowie’s “Diamond Dogs,” Television’s “Marquee Moon,” and Patti Smith’s “Horses.”Pub Date: March 13, 2018
ISBN: 978-1-5247-3339-1
Page Count: 480
Publisher: Knopf
Review Posted Online: Nov. 19, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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