Play music from Mexico and dance to the beat.
An ode to Mexico’s rich heritage of indigenous dance.
Amalia Hernández was born in Mexico City in 1917 and saw her first local dance performance when still a young girl. Entranced, she determined to become a dancer, and with her parents’ encouragement, she began to study ballet and, later, modern dance. She then started to choreograph, basing her steps on “folkloric danzas” similar to what she had seen as a child. Hernández followed this first foray by forming her own small troupe and fashioning numbers based on Mexico’s many different traditions and indigenous danzas. Her work melded old traditions with ballet and modern dance and was filled with drama, featuring colorful costumes and sets. Works based on Mexican history also became part of her company’s repertoire, along with music from Europe such as the waltz. National and international success and acclaim followed for her company, El Ballet Folklórico de México. Tonatiuh tells Hernández’s story with careful attention to detail and with obvious admiration for the subject, adding in his author’s note how popular Mexican dance is across both Mexico and the United States. His digitized, hand-drawn illustrations are striking. They showcase, in his signature style based on Mixtec art, the beauty and grace of many different dance styles.
Play music from Mexico and dance to the beat. (glossary, bibliography, index) (Picture book/biography. 6-10)Pub Date: Aug. 22, 2017
ISBN: 978-1-4197-2532-6
Page Count: 32
Publisher: Abrams
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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