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UNBROKEN BONDS

An elegantly written and damning narrative.

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In Hogan’s debut novel, a pregnant teenager’s life is irrevocably changed when she’s sent to a home and school for unwed mothers in conservative 1950s Tennessee.

After 17-year-old Joanna Wilson becomes pregnant, she quickly finds herself in in a Southern gothic nightmare. She suffers physical abuse at the hands of her father, and her married lover, Jack Wyatt, who’s still devoted to his injured wife, sends her off to the Frances Weston Home in Knoxville. It’s a place for young unmarried women to give birth, away from the prying eyes of judgmental Tennessee society; for the women sequestered there, it’s both a schoolhouse and a jail, where the wardens are stoic, “crowlike” nuns. This prisonlike setting, where everything beyond the house’s gardens is off-limits, is fertile ground for Hogan to explore the culture and misogyny of a classist, racist 1950s and ’60s America. The real horror of the home for unwed mothers, however, is not simply its restrictiveness, but what happens to the babies; they’re put up for adoption, no matter what their mothers’ wishes are, and the women never know exactly what becomes of their children. As time passes, the novel follows Joanna and others from the home as they enter adulthood, exploring how they grapple with the trauma of separation. Over the course of the novel, Hogan’s prose is pared down but deliberate, reflecting the staid resilience of her central characters. The narrative, while alarming, is very much grounded in the reality of the time and place in which it’s set. It’s clear that many women in similar situations never received answers about what happened to their children, but in this novel, Hogan does offer a hint of relief. Overall, it’s a narrative that builds slowly, hovering on a photograph as a missing piece in a puzzle, and coalescing in a resounding defense of women’s reproductive autonomy.

An elegantly written and damning narrative.

Pub Date: Oct. 5, 2021

ISBN: 978-1-949116-53-3

Page Count: 288

Publisher: Woodhall Press

Review Posted Online: June 24, 2021

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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