A portrait of elite fighting men at their best that will appeal to a largely male readership.
Nuts-and-bolts accounts of Special Forces missions.
Military writers Zimmerman (First Command: Paths to Leadership, 2006, etc.) and Gresham (DEFCON-2: Standing on the Brink of Nuclear War During the Cuban Missile Crisis, 2006, etc.) recount seven operations of the past four decades, undertaken in places including Vietnam and Iraq. They show a SEAL team on the ground plucking two downed fliers from the midst of a major North Vietnam offensive after 14 air rescuers had already died in the attempt. They dissect a complex operation in which elite attack-helicopter teams flew far beyond their normal range to destroy Iraqi radar sites, opening the way for air strikes before the first Gulf War. In the Second Gulf War, half a dozen Green Berets slipped 350 miles inside Iraq, hid near a major road and military concentration site, called in intelligence and devastating air strikes, then withdrew after ten days without firing a shot. Some operations depicted here were misfires. A brilliantly executed 1970 operation to rescue prisoners in North Vietnam went off without a hitch, but the camp turned out to be empty. The operation known to most readers is the disastrous 1979 attempt to rescue American hostages held in Iran. The authors relate the excruciating details, emphasizing the lessons our forces learned and not neglecting the opportunity to criticize a Democratic president. Their narrative provides solid entertainment for military buffs with its densely technical descriptions of weapons, training and tactics, an avalanche of acronyms and the traditional purplish prose. Zimmerman and Gresham don’t conceal their contempt for the Hollywood version of special ops: colorful but insubordinate soldiers, missions described as suicidal, big explosions, a dazzling triumph despite crippling casualties. In the real world, they remind us, brains and teamwork trump heroism, and planners reject operations likely to fail. Five out of seven represents a reasonable success rate.
A portrait of elite fighting men at their best that will appeal to a largely male readership.Pub Date: Oct. 2, 2007
ISBN: 978-0-312-36387-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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