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BEYOND HELL AND BACK

HOW AMERICA’S SPECIAL OPERATIONS FORCES BECAME THE WORLD’S GREATEST FIGHTING UNIT

A portrait of elite fighting men at their best that will appeal to a largely male readership.

Nuts-and-bolts accounts of Special Forces missions.

Military writers Zimmerman (First Command: Paths to Leadership, 2006, etc.) and Gresham (DEFCON-2: Standing on the Brink of Nuclear War During the Cuban Missile Crisis, 2006, etc.) recount seven operations of the past four decades, undertaken in places including Vietnam and Iraq. They show a SEAL team on the ground plucking two downed fliers from the midst of a major North Vietnam offensive after 14 air rescuers had already died in the attempt. They dissect a complex operation in which elite attack-helicopter teams flew far beyond their normal range to destroy Iraqi radar sites, opening the way for air strikes before the first Gulf War. In the Second Gulf War, half a dozen Green Berets slipped 350 miles inside Iraq, hid near a major road and military concentration site, called in intelligence and devastating air strikes, then withdrew after ten days without firing a shot. Some operations depicted here were misfires. A brilliantly executed 1970 operation to rescue prisoners in North Vietnam went off without a hitch, but the camp turned out to be empty. The operation known to most readers is the disastrous 1979 attempt to rescue American hostages held in Iran. The authors relate the excruciating details, emphasizing the lessons our forces learned and not neglecting the opportunity to criticize a Democratic president. Their narrative provides solid entertainment for military buffs with its densely technical descriptions of weapons, training and tactics, an avalanche of acronyms and the traditional purplish prose. Zimmerman and Gresham don’t conceal their contempt for the Hollywood version of special ops: colorful but insubordinate soldiers, missions described as suicidal, big explosions, a dazzling triumph despite crippling casualties. In the real world, they remind us, brains and teamwork trump heroism, and planners reject operations likely to fail. Five out of seven represents a reasonable success rate.

A portrait of elite fighting men at their best that will appeal to a largely male readership.

Pub Date: Oct. 2, 2007

ISBN: 978-0-312-36387-1

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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