Memorable characters and unique historical details illuminate slavery’s complex legacy.
Wilson’s (The Kidnapped, 2018, etc.) new volume of historical fiction weaves together 24 short stories to create a remarkable, multihued portrait of America.
These are the stories of slavery and the brave black, white, Native American, and multiracial men and women who fought against it. The narrative begins in 1795. Esi and Kofi, two Fante from West Africa, were kidnapped and sent to Virginia to be sold. Esi was Fante royalty; Kofi was known for his bravery in confronting a lion. They were 12 years old. Purchased by a farmer from Daufuskie Island, they remained on his plantation until his death in 1801. Esi and Kofi (who assumed the English name Kenneth) married at 16 and were sold to Nathan Prescott of Culpeper, Virginia, to work on his “Fruits of the Spirit” plantation. They had many children, some of whom were forcibly fathered by Prescott. Kenneth earned small amounts of money on the side as a cobbler and was determined to buy his children’s freedom. Then, help appeared from another source. Quaker abolitionists established an underground railroad and offered sanctuary to those who made their way into free territory. In 1827, Kenneth’s daughter Sarah and two of her brothers were rescued by an “African-Shawnee” named Caesar and brought to live with a Quaker family in Ohio. The stories, narrated in the strong and textured voice of Sarah, span the first half of the 19th century. Here, she poignantly describes her father: “I know that Daddy was always a double-sided man: a Fante warrior dressed in a slave’s rags; dignified while disgraced.” The stories are the product of the author’s imagination, informed by years of research and personal lineage. Wilson, himself a Quaker, identifies Sarah as a “direct ancestor.” Each stand-alone tale conveys a quick snapshot of resistance, whether through overt acts of rescue/escape or the quiet refusal to submit to degradation of the soul. The conversational prose captures the cadence and imagery of the period, including racist slurs, but without contrived dialect.
Memorable characters and unique historical details illuminate slavery’s complex legacy.Pub Date: April 5, 2019
ISBN: 978-1-947041-36-3
Page Count: 230
Publisher: Running Wild Press
Review Posted Online: May 29, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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