Asher has a great voice for crime fiction; hopefully he’ll use it frequently.
Asher (Olivia Jane Doe, 2013) proves he has what it takes to make an entertaining book about noble lowlifes and con games.
Kip hadn’t seen his brother Jack in 10 years before showing up at his bar in Naples, Florida, hoping to land a job. A decade before, Jack left Ohio and his family behind in a flurry of kiss-offs and bad blood; he became somewhat of a legend for opening up his own bar, so much so that restless younger brother Kip reaches out to him for a job. When Kip meets Jack and his bodyguard, Carter, known as the “Cowboy,” it’s clear that Jack is into some shady dealings. The Riot Bar is off the beaten path but frequented by the worst element in town, all of whom seem to know Jack. Kip wants that for himself, and Jack reluctantly agrees to take him under his wing. Complications crop up immediately, as it seems Jack has some debts and personal drama, chiefly with a fresh-in-town 18-year-old firecracker of a woman nicknamed Davie. She’s involved with Jack, who doesn’t take well to fidelity. Things quickly go south. Kip develops a bit of a crush on cunning and inscrutable Davie, and he agrees to her scheme to win over his brother via a plan that includes shaking down a connected nightclub owner. The pace picks up on a wonderfully amusing ride with pitch-perfect dialogue and twists that come up too quickly to predict. Asher’s chief talent is his ear for dialogue. Conversations are snappy and have the smart-alecky feel of solid crime noir. Personalities emerge through dialogue as well as action, and Asher’s narrative wastes little time dwelling on anyone’s inner monologue save Kip’s. The narrative is stylized and sarcastic—perhaps a drawback for some readers, but it fits the tone of the book perfectly. For instance, after a character has been beaten to a bloody mess, he holds a gun to the people who administered the blows: “He pointed the gun, but did so with staggering laziness. But the gun was pointed. However lackluster it was didn’t seem to matter. A gun tends to do that.”
Asher has a great voice for crime fiction; hopefully he’ll use it frequently.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear
Review Posted Online: Dec. 4, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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