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IN MY FATHER’S HOUSE

A sudsy melodrama, to be sure, but one that offers a rare glimpse into the world of gay black men and the challenges they...

A posthumous novel from Harris (Mama Dearest, 2009, etc.), about gay black men seeking acceptance.

At the beginning, Bentley Dean III, scion to a wealthy black Detroit family, breaks off his engagement with the very suitable Kim in order to live an authentic life. And for Bentley that means out of the closet and in a public relationship with his lover Warren. Five years later Bentley is in Miami, disinherited by his homophobic father, dumped by Warren, who refuses to identify as gay, but nonetheless happy to be himself. He and his business partner Alex own an Afro-centric modeling agency (she handles the women, Bentley happily handles the men’s side, which offers the occasional midday treat). But the agency has seen better times; the economy is in free-fall just as the Obama election is coming up. Financial worries force Bentley to book a suspicious modeling assignment—a request for gay-friendly eye candy for a private party. Bentley is assured he won’t be inadvertently pimping out his models, but when he arrives at the all-male event, he suspects that he’ll regret the night. He brings along Jah, an 18 year old that Bentley found in foster care and has mentored over the years. Jah, now in college with noble plans, catches the eye of the host, Seth Sinclair. Married with kids, Seth is a Hollywood megastar with a secret penchant for boys and control. Jah soon gets caught in Seth’s dangerous web, and Bentley is wracked with guilt. Meanwhile, Warren and Bentley reconnect, though Bentley, still in love with Warren, suspects the man hasn’t changed and will always live the double life. All these men can’t compete with the one man Bentley wants back in his life—his father. The best of friends until he came out, Bentley misses his old man and is afraid one day it may be too late for a reconciliation.

A sudsy melodrama, to be sure, but one that offers a rare glimpse into the world of gay black men and the challenges they face.

Pub Date: June 1, 2010

ISBN: 978-0-312-54191-0

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Sept. 22, 2010

Kirkus Reviews Issue: May 1, 2010

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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