This sequel to Not a Day Goes By (2000) delivers plenty of catty dish with a dash of sentimentality. Fans of Harris, who...
Delicious diva Yancey Harrington Braxton’s grand scheme to make her showbiz comeback is complicated by her newly sprung jailbird mother—and a painful secret from the past.
Her career trajectory cooling off, actress/singer Yancey finds herself in Miami starring in a production of Dreamgirls, a gig that offers her a steady paycheck but nowhere near the adulation to which she feels entitled. Acutely aware that she is not getting any younger and contemplating selling the pricey New York City townhouse she can no longer afford, Yancey sees her luck improving when she meets oh-so-fine S. Marcus Pinkston outside a Miami club. Great in bed and loaded (he drives an Aston Martin, no less), S. Marcus certainly seems to be smitten with his new lady and even offers to boost her back on top by getting Yancey her own reality-show deal. Sweet! But while that is being worked out, and unbeknownst to Yancey, her mother Ava is released early from prison, where she was serving time for killing a man. A nasty piece of work who makes the self-centered Yancey seem like a kindergarten teacher, Ava claims she is eager to reconnect with her only child, but secretly plots revenge, blaming Yancey for ruining her life. She moves into her daughter’s house and enlists dimwitted fellow ex-con Lyrical and her drug-dealing thug boyfriend Donnie Ray to help with her plan. Meanwhile, Yancey learns that the daughter she gave up while in college has grown into teen singing sensation Madison B, a sweet girl raised well by Yancey’s ex. That Madison happens to be worth millions is not lost on Yancey, who tries to respect the girl’s privacy, while facing her many regrets. Madison aches for a mother’s love, but could she ever trust the woman who sat out the first 16 years of her life? Ava works her own angles, showing Yancey everything that a mother should not be.
This sequel to Not a Day Goes By (2000) delivers plenty of catty dish with a dash of sentimentality. Fans of Harris, who died in July, will lap it up.Pub Date: Oct. 1, 2009
ISBN: 978-1-4391-5890-6
Page Count: 438
Publisher: Karen Hunter Publishing/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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