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THE BLACK JOKE

THE TRUE STORY OF ONE SHIP'S BATTLE AGAINST THE SLAVE TRADE

A tale skillfully teased out of the vaults and made vivid by an artful narrative.

An archival deep dive into the last days of the trans-Atlantic slave trade.

Polymath Rooks, a two-time Jeopardy! champion who has degrees in theater, law, and library science, turns her prodigious research skills to what amounts to a historical footnote to hundreds of years of human misery—though this footnote is well worth a close look. Toward the end of Britain’s involvement in the slave trade, during which the nation “shipped approximately 3.1 million enslaved Africans to ports scattered throughout the Americas,” the Admiralty allowed British seafarers to seize slave ships and return their human cargo to Freetown, in Sierra Leone. If the captain of the slave ship were convicted, the ships became booty, and the enslaved people aboard would be freed. Rooks looks closely at one ship, the Henriqueta, which had brought thousands of enslaved people to Brazil. Seized in midjourney, the fast-running ship became the Black Joke, with a taunt in its very name, which went on to seize another dozen slave ships in its time. This was perilous work, as Rooks shows, involving dangerous weapons and disease, and freedom in Sierra Leone wasn’t really freedom at all. “The newly liberated Africans became British,” she writes, “whether they wanted to or not, and the adults were given three options—they could become ‘free apprentices in the West Indies,’ join a segregated regiment of troops, or settle on one of the estates bordering Freetown.” In any instance, the people were still in servitude, whether fighting Britain’s wars or harvesting sugar cane in the Caribbean. Rooks lauds the anti-slavery sentiments of the British sailors, albeit driven by self-interest, for exhibiting the “political will to do the right, hard thing,” though it took decades for Britain to take full account and make restitution.

A tale skillfully teased out of the vaults and made vivid by an artful narrative.

Pub Date: Jan. 18, 2022

ISBN: 978-1-982128-26-5

Page Count: 400

Publisher: Scribner

Review Posted Online: Dec. 9, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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ON JUNETEENTH

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

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The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.

Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

Pub Date: May 4, 2021

ISBN: 978-1-63149-883-1

Page Count: 128

Publisher: Liveright/Norton

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

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