Extraordinary and with a foreboding atmosphere that’s grim but never dreary.
Those cured of a devastating infection struggle to survive in a world that doesn’t consider them human in Stueve’s harrowing dystopian thriller.
Profine Pharmaceuticals may have saved humankind with Tetdat, the cure for a widespread infection that turned people into mindless beings who craved live meat. Billy Dodge is one of the cured, known as formers, who are housed in various Profine compounds to protect them from the masses of uninfected who still see them as diseased monsters. There are disastrous consequences when, one night, Billy storms out of a group-therapy session and leaves the facility. He and fellow former Nancy Shellborne have a confrontation with an uninfected that results in the man’s death. Enraged humans outside the compound cause pandemonium. This disturbing tale presents a bleak future in which individuals are still swayed by the media and mob mentality. It’s clear, for starters, that the infected are not monsters: the protagonist is a former, and Stueve (The ABCs of Dinkology: Time In-Between, 2014, etc.) rigorously avoids the Z-word. Billy, in his first-person narrative, persistently reminds himself that he’s alive. The pale-skinned man may be perpetually cold, but emotions like anger and fear, he believes, verify that he’s human. The media, meanwhile, discuss formers as separate entities from humans, implying that the name refers to a former state of humanity. “Oh society, will you ever change?” Billy laments, as reporters spin stories sympathizing with the dead man—though readers know he’d relentlessly beat Billy before a brick-wielding Nancy intervened. Stueve stays mostly in the present but maintains a riveting story by dropping hints of the 10-year Infection War (nuclear bombs in New York and London) and Billy’s pre-infection life (his newlywed wife and beloved dog are both dead). There’s violence, of course, but the author steers clear of visceral imagery, opting for darkly vivid prose, including the bloodshot-eyed formers crying “bloody tears.” Despite its focus on Billy, the novel, which clocks in at around 300 pages, has the emotional range and depth of a much longer epic tale.
Extraordinary and with a foreboding atmosphere that’s grim but never dreary.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: The Novel Fox
Review Posted Online: Dec. 3, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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