An eccentric but extraordinary story about a potentially unsound mind.
Luetkemeyer’s (The Book of Chuck, 2009) dreamlike tale follows a prison inmate as he thoroughly examines the nature of existence.
Martin Mueller is serving time at Lime Ridge State Correctional Center. The transgression that led to his confinement isn’t immediately revealed, but his release appears imminent. He was once the busy, billionaire owner of massive conglomerate Mueller Enterprises, but now he spends his days interacting with fellow prisoners, including Crazy Carl and Wilbur, who writes fantastical stories of the supernatural for Martin to read. But Martin also has his own project that he’s working on: He’s “attempting to solve a great mystery,” essentially debating humanity’s origin and purpose—which also entails questioning his own purpose. He visits the cell of inmate John Brown, who mesmerizes Martin by proving that he’d predicted Martin’s arrival that day as well as his topic of conversation. John then recounts his past lives in tales that stretch back thousands of years. Later, Martin’s memories of his business struggles and meeting his wife, Millie, reveal an apparent link between him and John. Martin ultimately learns things about himself that may significantly impact the “real world” to which he’ll soon be returning. Luetkemeyer’s novella packs an impressive amount of content in a concise narrative. From the beginning, it’s clear that Martin’s point of view is unreliable; for example, at one point, he drives a car home and then heads to his cell—so readers will be uncertain where he is or what part of the overall story he’s imagining. The novel subtly incorporates larger themes, including religion (John claims to have encountered figures from the Bible) and race (rich, white Martin gets preferential treatment over poor, African-American inmates). Although a sense of surreality reigns, Luetkemeyer’s prose is full of tangible images, such as a cryptic memo from the warden that discusses “Alternate Religions.” Although the ending does offer resolution, it also sounds an unmistakable note of ambiguity.
An eccentric but extraordinary story about a potentially unsound mind.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Bad Roads Books
Review Posted Online: Nov. 27, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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