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SALT

Trinidadian writer Lovelace (The Wine of Astonishment, 1984, etc.) returns after a long hiatus with a tale that starts out as an affecting Caribbean version of It's A Wonderful Life, then disappointingly turns into a flat riff on race and the past. Alford George, the youngest son of a poor Trinidadian farm worker, is a slow starter. He doesn't speak until he's six, and that's only after his mother, fearing she's being punished for neglecting her African roots, consults a traditional healer. Later, Alford dreams of leaving Trinidad and going to England, where so many islanders head to make better lives. England is for him ``more than a place,'' it is ``a mission, a Sacred Order that brought him into meaning, into Life,'' and he systematically begins to prepare himself to emigrate. His early school years, however, are not propitious: He is neither a good student nor an athlete. But Alford perseveres, studying the dictionary, listening to the BBC, running errands for teachers, and becoming an umpire. By his 20s, he's a respected schoolteacher, able to keep order and inspire children, but his undimmed dream of leaving the island is repeatedly deferred as he gives his earnings to his father to build a house, then is drawn into local controversies. Appalled by an educational system that neglects most of its students, he eventually mounts a hunger strike in the capital to draw attention to the problem. Soon Alford's courted by politicians who encourage him to stand for parliament. And it's here that the story begins to lose its charm and vigor: Various voices, including those of the descendants of Asian indentured laborers, white planters, and slaves, break into the narrative to tell their own stories, diluting the novel's impact. Though Alford realizes that his mission in life is in fact to make life better on his island, his epiphany has been greatly diminished. An evocative story that tries too hard.

Pub Date: March 10, 1997

ISBN: 0-89255-226-3

Page Count: 260

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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