POST AFTER POST-MORTEM

An Oxfordshire family’s sense of its comfortable place in the world is rocked by the apparent suicide of one of its members, then by the even more disturbing news that it wasn’t suicide after all.

Get-togethers of the Surray family at Upwood House are almost like reciprocal book signings. Prof. John Surray writes academic treatises; his sons, Richard and Robert, maintain their professional standing by writing articles; his daughter Ruth is a successful novelist; and his daughter Naomi, who’s just graduated with first-class honors in classics, will surely add to the pile. No wonder Judith Beech, his married daughter, has just burned her own manuscript, which would clearly face stiff competition. But not, as it happens, from Ruth, who’s found dead in her bed from an overdose of thalmaine the morning after she hosts a dinner of fellow authors and publishers. Ruth’s always kept herself to herself, but it’s hard for her family to accept her suicide, and impossible once a letter she posted to Richard hours before her death arrives sounding anything but suicidal. Chief Inspector Macdonald, tasked with peering into Ruth’s romantic affairs and professional secrets, offers an object lesson in how to stiffen everyone’s back against the police while maintaining the utmost decorum and sympathy. His path is complicated by a fire that nearly destroys Upwood House and a later pair of poisonings with atropine. In a tale first published in 1936, Lorac keeps everything professional and smartly paced, though she’s so determined to make the guilty party appear innocent that sharp-eyed readers will have their perverse suspicions.

About average for the British Library Crime Classics series of reprints, which makes it well worth your attention.