by Ed Davis ; illustrated by Colin Elgie ‧ RELEASE DATE: Jan. 25, 2022
An informative and adventurous story of a wayward journey into another world.
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A Silicon Valley programmer leaves his job to ride the rails with an elderly man in Davis’ novel.
At 26, Lynden Hoover has a fine career at Data Dynamics, a hot San Francisco Bay Area tech company. However, he starts to feel that his success is like a prison, and it’s one that he wants to escape: “All programmers were a little crazy up front,” he notes, “and all the good ones knew when to bail.” In sixth grade, he’d jumped on a freight train to search for his absent father, and he wants to roam free once again. It’s now the 1980s, and open boxcars abound, so Lynden hops on one of them and heads east. Along the way, he meets The Duke, an old-fashioned tramp who carries with him the language and customs of the past: “You fight like a punch-drunk Palooka,” he tells Lynden after one squabble. The Duke turns out to have a wealth of information about the locations of “hobo” camps, and he has dirt regarding dangerous characters. Of particular concern is Short Arm, a villainous scoundrel that The Duke claims will kill him on sight. Lynden, now dubbed “Frisco,” and The Duke roll past Reno, the Great Salt Lake, and Grand Junction, and The Duke says that Short Arm is headed to Pennsylvania. But Lynden has a secret that’s tormenting him—one that will bring him even deeper into a dangerous, transient world. Over the course of this novel, Davis presents readers with an adventure that also works well as a tribute to the past, effectively using the perspective of a young character to capture what feels like the last glimpse of a disappearing culture. Lynden’s interest in riding the rails isn’t merely a passing fancy, and the history that connects The Duke and Lynden brings up issues as varied as wanderlust, economics, and sexuality. The characters come across as convincing, real people, and the schemes that they hatch are generally fun. Although the first half of the novel suffers from a general talkiness and aimlessness, the second half establishes a much more clearly defined narrative that will engage readers.
An informative and adventurous story of a wayward journey into another world.Pub Date: Jan. 25, 2022
ISBN: 978-1-951122-25-6
Page Count: 278
Publisher: Artemesia Publishing
Review Posted Online: Dec. 29, 2021
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
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BOOK TO SCREEN
by Marie Bostwick ‧ RELEASE DATE: April 22, 2025
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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