An informative and adventurous story of a wayward journey into another world.
A Silicon Valley programmer leaves his job to ride the rails with an elderly man in Davis’ novel.
At 26, Lynden Hoover has a fine career at Data Dynamics, a hot San Francisco Bay Area tech company. However, he starts to feel that his success is like a prison, and it’s one that he wants to escape: “All programmers were a little crazy up front,” he notes, “and all the good ones knew when to bail.” In sixth grade, he’d jumped on a freight train to search for his absent father, and he wants to roam free once again. It’s now the 1980s, and open boxcars abound, so Lynden hops on one of them and heads east. Along the way, he meets The Duke, an old-fashioned tramp who carries with him the language and customs of the past: “You fight like a punch-drunk Palooka,” he tells Lynden after one squabble. The Duke turns out to have a wealth of information about the locations of “hobo” camps, and he has dirt regarding dangerous characters. Of particular concern is Short Arm, a villainous scoundrel that The Duke claims will kill him on sight. Lynden, now dubbed “Frisco,” and The Duke roll past Reno, the Great Salt Lake, and Grand Junction, and The Duke says that Short Arm is headed to Pennsylvania. But Lynden has a secret that’s tormenting him—one that will bring him even deeper into a dangerous, transient world. Over the course of this novel, Davis presents readers with an adventure that also works well as a tribute to the past, effectively using the perspective of a young character to capture what feels like the last glimpse of a disappearing culture. Lynden’s interest in riding the rails isn’t merely a passing fancy, and the history that connects The Duke and Lynden brings up issues as varied as wanderlust, economics, and sexuality. The characters come across as convincing, real people, and the schemes that they hatch are generally fun. Although the first half of the novel suffers from a general talkiness and aimlessness, the second half establishes a much more clearly defined narrative that will engage readers.
An informative and adventurous story of a wayward journey into another world.Pub Date: Jan. 25, 2022
ISBN: 978-1-951122-25-6
Page Count: 278
Publisher: Artemesia Publishing
Review Posted Online: Dec. 29, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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