Next book

THE LAST PROFESSIONAL

An informative and adventurous story of a wayward journey into another world.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A Silicon Valley programmer leaves his job to ride the rails with an elderly man in Davis’ novel.

At 26, Lynden Hoover has a fine career at Data Dynamics, a hot San Francisco Bay Area tech company. However, he starts to feel that his success is like a prison, and it’s one that he wants to escape: “All programmers were a little crazy up front,” he notes, “and all the good ones knew when to bail.” In sixth grade, he’d jumped on a freight train to search for his absent father, and he wants to roam free once again. It’s now the 1980s, and open boxcars abound, so Lynden hops on one of them and heads east. Along the way, he meets The Duke, an old-fashioned tramp who carries with him the language and customs of the past: “You fight like a punch-drunk Palooka,” he tells Lynden after one squabble. The Duke turns out to have a wealth of information about the locations of “hobo” camps, and he has dirt regarding dangerous characters. Of particular concern is Short Arm, a villainous scoundrel that The Duke claims will kill him on sight. Lynden, now dubbed “Frisco,” and The Duke roll past Reno, the Great Salt Lake, and Grand Junction, and The Duke says that Short Arm is headed to Pennsylvania. But Lynden has a secret that’s tormenting him—one that will bring him even deeper into a dangerous, transient world. Over the course of this novel, Davis presents readers with an adventure that also works well as a tribute to the past, effectively using the perspective of a young character to capture what feels like the last glimpse of a disappearing culture. Lynden’s interest in riding the rails isn’t merely a passing fancy, and the history that connects The Duke and Lynden brings up issues as varied as wanderlust, economics, and sexuality. The characters come across as convincing, real people, and the schemes that they hatch are generally fun. Although the first half of the novel suffers from a general talkiness and aimlessness, the second half establishes a much more clearly defined narrative that will engage readers.

An informative and adventurous story of a wayward journey into another world.

Pub Date: Jan. 25, 2022

ISBN: 978-1-951122-25-6

Page Count: 278

Publisher: Artemesia Publishing

Review Posted Online: Dec. 29, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 200


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 200


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Next book

BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

Close Quickview