Sharply observant, contemplative writing that captures the buzz of hitchhiking.
A former journalist sets out to reexperience the hitchhiking adventures of his past in this absorbing travel memoir.
In 1978, Griffin-Nolan, accompanied by his childhood friend Joe, hitchhiked from New York to San Francisco and back. Since it was one of the “finest educational and recreational experiences” he’d experienced, he decided, 40 years later, to do it again. Joe, among others, tried to convince him to abandon the idea, arguing that hitchhiking was no longer safe. In 2018, the author set out alone from his home near Syracuse, New York. Progress was uncertain at first; a deputy sheriff stopped him and said that hitchhiking is illegal in New York. But the author soon began to pick his way west, fueled by the benevolence of drivers who responded to his cardboard sign: “#NobodyHitchhikesAnymore.” The trip takes in the thousands of wind turbines of the Midwest, Salt Lake City, and the Rockies before culminating as the author approaches San Francisco. Along the way, Griffin-Nolan ponders the ways the road and those he met on it have changed since the late ’70s. Griffin-Nolan’s writing crackles with an energy for adventure: “The only way to convert today’s uncertainty into tomorrow’s story is to get out there and live it.” His writing style is almost photographic, offering keenly observed snapshots of the lives of others. In a Peoria Greyhound station populated by the city’s addicts, he witnesses a woman trying to calm a “troubled mother-to-be”: “Into an audio landscape layered with rumbling moans of withdrawal and a chain of psychotic call-and-response dialogues, this serene lady whispers enchantments.” The memoir’s tight focus on individuals means that the sweeping vistas of America’s landscapes are sometimes overlooked, but this does not detract from an intelligently written memoir that documents how America is changing: “The disappearance of hitchhiking and the rise of the gated community seem part of the same thing. Fear leads to isolation leads to more fear.” Griffin-Nolan is acutely aware of America’s current troubles, focusing particularly on “evidence of empowered and emboldened racism.” Yet his unswerving faith in the kindness of strangers is uplifting, and his intrepid spirit will encourage others to take to the road.
Sharply observant, contemplative writing that captures the buzz of hitchhiking.Pub Date: Sept. 22, 2020
ISBN: 978-1-57869-038-1
Page Count: 202
Publisher: Rootstock Publishing
Review Posted Online: Oct. 7, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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