A fairly amusing, sometimes erotic story of contemporary urban Jewish young womanhood.
In Harris’ novel, a young Jewish woman in a dead-end relationship meets a charismatic man who enjoys spanking her.
Although its title suggests a broad, Mel Brooks–style sendup of E.L. James’ erotic romance Fifty Shades of Grey (2011), most of this novel follows a fairly standard chick-lit format: A young woman in a trendy job juggles relationship troubles, family and work. Maya Stein, nearing 30, lives in Brooklyn and works at an Internet advertising agency. Her mother is eager to see her settle down; she knows a nice, single rabbi. Maya’s relationship with her boyfriend, Jeremy, is so lukewarm that she decides to post a profile on JDate, the online Jewish dating service. She hears from Aaron Schwarz, a commercial real estate broker. He owns his own firm, he explains, since he prefers being in charge, which intrigues Maya. Unlike Jeremy, who relies on Groupon discounts when taking Maya out, Aaron treats her to concerts, good restaurants and cab rides home from Manhattan. After Maya and Aaron become intimate, he confesses his real turn-on: tying girls up and spanking them while playing a kind of “Jewish Jeopardy,” asking “questions that would be considered common knowledge to someone who has a reasonable grounding in Judaica.” Wrong guesses earn smacks from Aaron’s belt, then tempestuous sex, which shakes up Maya emotionally as it wows her physically. With questions about dreidels punctuated by whaps, Harris does put a Jewish spin on Fifty Shades of Grey, but calling this novel a parody—an exaggerated, humorous imitation—is a misnomer. If anything, it’s more low-key than the original. Schwarz isn’t the mysterious, cold, distant mogul that Christian Grey is; he’s well-off but not a billionaire, and he’s reasonably, not ridiculously, good looking. Maya, meanwhile, is far more confident, sexually and personally, than the hapless Anastasia Steele; in the end, it’s Maya who offers financial backing to the man of her dreams. A parody it’s not—but readers may indeed prefer these alterations, which make this novel more relatable, funny and perhaps even more feminist than the original Fifty Shades.
A fairly amusing, sometimes erotic story of contemporary urban Jewish young womanhood.Pub Date: May 1, 2013
ISBN: 978-0989192019
Page Count: 282
Publisher: Fifty Tales Media
Review Posted Online: June 10, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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