A brash, rangy, sui generis feat of speculative fiction.
A secret history of Korea from the 20th century to the present, suffused with postmodern weirdness.
Park’s beguiling, deliberately knotty second novel—following Personal Days (2008)—is built on three intersecting narratives. The first is told by Soon Sheen, author of an ill-selling short-story collection and now an employee of GLOAT, a Meta-like tech company. At a gathering of college friends and former publishing colleagues, he’s introduced to Echo, author of what Soon is told is a brilliant novel titled Same Bed, Different Dreams. (Evoking David Foster Wallace’s Infinite Jest, Soon is told by the book's English translator that “some Koreans had gone mad after just a taste” of it.) The second narrative is the text of that novel, presented as a history of a secret Korean Provisional Government whose members include South Korean leader Syngman Rhee and a host of assassins, revolutionaries, and politicians. The third narrative concerns Parker Jotter, a Black Korean War veteran who’s written a series of science fiction novels that, à la Philip K. Dick, question the nature of everyday reality. Park pushes each of these stories to the edge of coherence, willfully digressing and filling the tales with commentaries on the Buffalo Sabres, Kim Jong Il’s obsession with the Friday the 13th movies, U.S. president William McKinley’s assassination, and more. Yet there’s no question that Park is in control of the story, and he reconciles it all brilliantly. It’s an encyclopedic yarn about Korea’s tragic and difficult 20th century, but also a compassionate study of how much we inherit culturally from the past, and how we’re connected to it more deeply than we’re inclined to think. And for all its Pynchonian gamesmanship, it’s simply fun, rife with detours on parenthood, literature, hockey, and spycraft. Even in moments when it’s not entirely clear where the story’s going, Park is a savvy and entertaining guide.
A brash, rangy, sui generis feat of speculative fiction.Pub Date: Nov. 7, 2023
ISBN: 9780812998979
Page Count: 544
Publisher: Random House
Review Posted Online: Aug. 10, 2023
Kirkus Reviews Issue: Sept. 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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