This book proclaims what children already know: Creativity and making art spark joy.
An adult artist celebrates child artists.
A multicolored creature—a dragon or perhaps a dinosaur—creatively ablaze, enlivens a city with her art. As third-person narrator, author/illustrator Vere speaks for child artists who may not be able to articulate what it’s like to create. He also helps child artists understand, appreciate, and validate themselves. He gets kid artists and their imperative to create, and he draws like them, too: Check out the colorful, boldly imaginative, dynamic, quirky, and wonderfully child-appealing illustrations herein. Bonus: Vere also speaks to parents, caregivers, teachers, and librarians who will share this volume with kids to offer perspective on and to help them respect and accept child artists and value their creative processes and masterpieces. If this seems philosophical and lofty, the soothing text and lively art will change minds. Kids will note illustrations they could have produced—and that’s the point. Plus, they’ll love that the protagonist makes a very common childhood artistic faux pas: She colors outside the lines! But, narrator Vere assures his artist-hero: “Mistakes are how you learn! Heart is what matters. And your art is full of heart….Please paint again!” His final encouragement for all child artists: “Keep seeing the beauty…keep going!” Understanding adults know children need such incentives to continue creating, to keep imaginations buzzing, and to use whatever media they desire to portray the world as they see it. (This book was reviewed digitally.)
This book proclaims what children already know: Creativity and making art spark joy. (Picture book. 4-8)Pub Date: April 4, 2023
ISBN: 978-0-525-58087-4
Page Count: 32
Publisher: Doubleday
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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