Using a combination of handmade and bought papers, Young has created a dazzling collage adaptation of the traditional Chinese legend of the Monkey King. Brilliant shades of pink, purple, red, orange, gold, and green are offset by wispy whites and stark blacks on warm earth-toned backgrounds. The colors often leap and swirl across the pages, tracing the trajectories of Monkey’s energetic somersaults and mirroring his irrepressible personality. Always restless and eager for new adventures, Monkey simply can’t keep out of trouble. Born from an exploding rock, he fights the fierce Red Beard Bandit, steals a golden pillar from the underwater palace of the Dragon King, and gobbles up all the forbidden fruit from Jade King’s immortal peach tree. The centerpiece of the book, and of Monkey’s adventures, takes place on pages that fold out both horizontally and vertically as Monkey leaps to a place that he thinks is the end of the earth, but that turns out to be the upraised hand of Buddha. He scribbles, “Monkey was here,” thinking he has triumphed, but in fact he is trapped. After 500 years of captivity, he is freed to have a few more adventures before the end of the book, which concludes when he learns that there is “strength in admitting to weakness.” The narrator leaves the reader with a question and an answer—“Did Monkey’s humility last? That’s another story for another book.” Young’s prose is spare, and the placement of the words is brilliantly integrated into his page designs. An author’s note provides information on the Chinese epic Journey to the West, from which these episodes have been adapted. There is also a list of characters with their descriptions. This visually and thematically rich creation by one of our finest picture book artists is wonderful both to read aloud and to peruse and ponder at leisure. (Picture book/folktale. All ages)
Pub Date: March 31, 2001
ISBN: 0-06-027919-2
Page Count: 40
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2001
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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