A powerfully eloquent, concise book.
A Princeton professor of African American studies examines “Black democratic perfectionism” and its significance to the ongoing political struggle.
Glaude, the author of Begin Again and Democracy in Black, first presented this work at the 2011 Harvard W.E.B. Du Bois Lecture Series. Though he had initially intended them as musings on how the Obama presidency had affected “the form and content of Black political struggle,” when revisiting the essays a decade later, he realized that the ideas they expressed had become even more germane in the aftermath of the Trump administration, the pandemic, and the concomitant resurgence of racism and xenophobia. His first essay explores “the role of the prophetic and the heroic in African American democratic life,” examining the work of Martin Luther King Jr. within a framework that also includes pragmatist John Dewey. King was no savior, writes the author. Rather, he was a flawed human who followed the stirrings of a powerful moral imagination and acted on ideals that had no guarantee of succeeding in the real world. In the second essay, Glaude turns his attention to Malcolm X. Using the Emersonian idea that society should limit its reliance on heroes, the author suggests that Malcolm X was a “wounded, vulnerable Black man” fighting within a collective for liberation rather than a “shining black prince.” The author concludes with an exploration of Student Nonviolent Coordinating Committee organizer Ella Baker’s beliefs about leadership. Far from being magical or mythical, the power to enact change is a grassroots phenomenon that comes from individuals becoming “problem-solving agents” and acting collectively as servants of justice. Though they speak directly to tendencies within the ongoing Black political struggle, the wisdom these important essays offer about the true nature of democratic action is equally relevant to all Americans seeking to rebuild a ravaged democracy and its broken institutions.
A powerfully eloquent, concise book.Pub Date: April 16, 2024
ISBN: 9780674737600
Page Count: 160
Publisher: Harvard Univ.
Review Posted Online: Feb. 9, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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