by Eden Ross Lipson and illustrated by Mordicai Gerstein ‧ RELEASE DATE: Aug. 1, 2009
Flavored with family tradition and spiced with Gerstein’s cheerful illustrations, this account of one family’s love of applesauce hits the spot. One day “when it is still hot and summery, but vacation is over,” Grandma says, “It’s time for applesauce.” The city-dwelling family buys apples (“at least three different kinds”) at an outdoor market. The names and varieties of apples and the details of cooking change as the season progresses, with the subtle variations in the process lovingly detailed in both text and image. The “first sauce of the season” is celebrated and toasted at a special gathering of family and friends, while later Grandpa is remembered on his birthday with a candle-bedecked pie. The child narrator (who sports round, red glasses just like Grandma’s) wonders whether he’ll prefer pie to sauce when he grows up, while the illustrations project a future generation of apple lovers, a poignant touch for this last book by the late Lipson. In a crowded orchard of apple books, this one stands out for home or school apple- and/or family-tradition projects. Applesauce recipe appended. (Picture book. 4-8)
Pub Date: Aug. 1, 2009
ISBN: 978-1-59643-216-1
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Oct. 15, 2019
Haphazard but jolly enough for one outing; it probably won’t last for more.
A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).
Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.
Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-51574-6
Page Count: 52
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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