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ALLIGATOR TEARS

A MEMOIR IN ESSAYS

This portrait of the artist as a young flip-flop salesman will inspire, amuse, and empower its audience.

The coming-of-age of a queer Latinx Floridian, part two.

“I was the person who got expelled from high school, who mopped up lube at the sex club, and some­how I’d stumbled into this alternate universe where I was also the person who lived with his boyfriend in New York (albeit in a fake room), had a book soon-to-be out, and an inbox full of journalists asking me about my ‘process.’” In a follow-up to his much-awarded debut memoir of growing up gay between Florida and Nicaragua, High-Risk Homosexual, Gomez gives a book-length answer to the question of his process. Though his 30-something years may seem few for two memoirs, this time he tells the story largely in terms of work: a meticulously evoked and darkly comic series of jobs in bars, restaurants, retail (readers may find the Flip Flop Shop taking up a permanent, coconut-scented place in their minds), and, briefly, sex work. Through it all, he clung ferociously to the idea that he was a writer. “‘People like you get to make art too!’ I'd hype myself up in the shower.” His fierce love for his mother, a beloved barista at the airport Starbucks, again shines through the pages, and in a section that will mean a lot to aspiring memoirists, he recalls how the joy of his first publication was laced with terror that she would read the book, whose evolution he hid from her. He continues to contend with the legacy of the Pulse nightclub massacre, with homophobia, and with racism, but he also comes to a heartening conclusion: “In fact, it was a privilege to be gay.…It was because of my queerness that I was able to see how the paths set out for me weren’t enough, pushing me to leave home in search of more.”

This portrait of the artist as a young flip-flop salesman will inspire, amuse, and empower its audience.

Pub Date: Feb. 11, 2025

ISBN: 9780593728543

Page Count: 256

Publisher: Crown

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: today

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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