These inventive novellas are like literary puzzles for the reader to tease out.
Two novellas that challenge the chronological conventions of narrative.
This slim volume from a veteran Brazilian novelist (and film critic and diplomat) pairs two works from different eras: the 2020 title novella, translated by Hastings, followed by Blue Butterflies of the Amazon from 1996, translated by Neves. They are very different, though both feature a character who has suffered a stroke, and each concerns some interplay of chance and fate. The Impostor offers a first-person narrative by a veteran translator taking a trip to Italy with his wife. His impetus for the journey is to visit Vesuvius, where his great-granduncle fell into the volcano. Or jumped—accident or suicide? It was long ago and long forgotten, but the incident has fresh resonance for the protagonist, who had recently suffered what he insists on calling “a neurological issue. A minor one,” in which he “disappeared someplace” for 20 days. The narrative flows across time and space, from descriptions of the Italian vacation to visits with the therapist who is trying to help him account for that lost time to bonding with his 16-year-old grandson. (The two of them smoke a joint and play video games, providing additional narrative confusion.) He also conjures characters, perhaps in dreams, who seem to know him, though he doesn’t know them. Are they impostors? Or is he? By the end it appears that the trip he has been recounting is one he is still anticipating. The second, earlier novella focuses on sexual transgression across a couple of generations. An award-winning young scientist and his wife have returned to his family home to help his father after his mother suffered a stroke that has left her almost comatose. But she observes way more than she can communicate and more than her oblivious son does. Each of the four characters alternate narrating from their very different perspectives, with surprising results.
These inventive novellas are like literary puzzles for the reader to tease out.Pub Date: June 13, 2023
ISBN: 9781954276154
Page Count: 192
Publisher: Bellevue Literary Press
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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