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THE WHITE ROAD

JOURNEY INTO AN OBSESSION

De Waal’s poetically recounted journey is a revelation, as well: of the power of obsession and the lust for purity.

A lyrical melding of art history, memoir, and philosophical meditation.

Ceramic artist de Waal (The Hare with Amber Eyes: A Family's Century of Art and Loss, 2010, etc.) is obsessed with white porcelain, “thin as silver…white as driven snow,” a material so exceptional that it invites comparison to “smoke coiling up from a chimney, or from incense on an altar, or mist from a valley.” Porcelain gets its quality from two kinds of mineral: petunse, a fairly common stone, which yields amazing translucence and hardness; and the rarer kaolin, a soft, white earth that imparts plasticity. In short passages of allusive, radiant prose, the author chronicles his journeys in search of both the materials and the history of porcelain, discovering along the way men as obsessed as he. In 14th-century China, the Yongle emperor coveted porcelains of the purest white—“white as transcendence,” de Waal writes—with finely drawn decorations under a lucent glaze. In 17th-century France, Louis XIV built the Trianon de Porcelaine, filled with Delft imitations until a porcelain industry began in Rouen, Saint-Cloud, and Limoges. In early-18th-century Germany, Ehrenfried Walther von Tschirnhaus, “philosopher and mathematician and observer of how the world changes,” pursued his investigations in Dresden’s Goldhaus, a laboratory for natural philosophers and alchemists. In Cornwall, the Quaker William Cookworthy and the enterprising Wedgwoods perfected porcelain manufacture. Shockingly, in 1940, the Allach Porcelain Factory moved to Dachau, where inmates made figurines beloved by Nazis. Amassing a cache of kaolin, each with idiosyncratic properties, de Waal created an installation of 2,455 porcelain pots, glazed in white. For the author, white has mystical resonance: “White is truth; it is the glowing cloud on the horizon that shows the Lord is coming. White is wisdom….White brings us all into focus….It reveals. It is Revelation itself.”

De Waal’s poetically recounted journey is a revelation, as well: of the power of obsession and the lust for purity.

Pub Date: Nov. 3, 2015

ISBN: 978-0-374-28926-3

Page Count: 416

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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