by Edmund White ‧ RELEASE DATE: Sept. 10, 1997
This long, rich fiction, set mostly in Manhattan and Paris, concludes White's autobiographical trilogy—and falls somewhere in quality between the pellucid excellence of A Boy's Own Story (1983) and the mannered redundancy of its sequel, The Beautiful Room Is Empty (1988). Here, the story of a generation—the one that originated the gay liberation movement in the late 1960s, then began dying out a few years later with the AIDS pandemic—is compressed into the remembered experiences of its narrator, a bereaved lover mourning the deaths and looking backward over 30 years' worth of sexual adventuring and slow progress toward maturity and success as a writer. White gives a good graphic picture of bohemian Paris in 1968, and elsewhere offers unusual perspectives on familiar locales (cruising at the Colosseum in Rome, observing ``Fire Island as an exact analogue of medieval Japan''). The novel's signal weakness is the sameness of the many, many men who wander in and out of the narrator's life (his recently deceased lover Brice is scarcely a character at all; on the other hand, Jamie, a sybaritic NYC ``blueblood,'' exhibits a cockeyed charisma that fully justifies the narrator's exasperated fascination with him). White writes plaintively about the disappointments of aging and losing one's sexual allure, and convincingly connects the decline of phallic power with the fear of literary senescence. If he's a bit smug about the mores and pleasures of being a gym rat, he writes vividly, and always amusingly, about the mechanics and etiquette of ``tricking.'' White's unmatched ability to communicate the tension between asserting one's right to be ``different'' and yearning to be accepted as ``normal'' is brilliantly displayed again. Nothing human is alien to him, and none of his alienated souls is anything less than achingly human. (First serial to the New Yorker; Book-of- the-Month selection)
Pub Date: Sept. 10, 1997
ISBN: 0-679-43477-1
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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