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THE UNPUNISHED VICE

A LIFE OF READING

A literary delicacy with more takeaways than one can count.

The celebrated author takes us through the many shades of literature.

“Reading is at once a lonely and an intensely social act,” writes White (Creative Writing/Princeton Univ.; Our Young Man, 2016, etc.) at the beginning of his latest work of nonfiction. “The writer becomes your ideal companion—interesting, worldly, compassionate, energetic—but only if you stick with him or her for a while, long enough to throw off the chill of isolation and to hear the intelligent voice murmuring in your ear.” Here, the author intimately whispers the literary twists and turns that have shaped his life into his attentive readers’ ears. In exploring the books that have defined both his adolescence and adulthood, White dives into the various states of mind that acted as geneses for many of his novels and that elicited significant instances of self-realization. “When we’re young and impressionable, we’re led to embrace the books our first lovers love,” he writes. Though there was only one first love, his college peer Charles Burch, White had many other loves that helped develop his literary persona. This is the central premise of the book. What lies at the junction of love, literature, and writing? What stories define us, and how do we define stories? Taking his readers from Alexander Trocchi to Joyce Carol Oates to Roland Barthes to Leo Tolstoy, White’s repertoire is impressive; refreshingly, it’s never pretentious. White’s prose oozes mysticism and melancholy, the kind of melancholy that makes readers sigh with wonder and hope. “We like writers who can see the world around them,” he writes, “who don’t attribute impossible motives or responses to their characters, who can keep a balance between action and introspection, whose style is relaxed and flowing and conversational.” Throughout, White’s reflections are just as lucid as they are fascinating and just as compelling as they are bountiful.

A literary delicacy with more takeaways than one can count.

Pub Date: June 26, 2018

ISBN: 978-1-63557-117-2

Page Count: 240

Publisher: Bloomsbury

Review Posted Online: March 2, 2018

Kirkus Reviews Issue: March 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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