by Edmund Wilson ‧ RELEASE DATE: May 19, 1969
In this revision of the story of the Dead Sea scrolls, with more than half new material, Wilson acts as a scholarly reporter, one who has visited the sites and talked with innumerable archaeologists, linguists, orientalists and Biblical authorities of all degrees of pious or impious persuasion. Since 1955 and his original book, new scrolls have come to light and older ones, in very precarious condition, have been read and published. Among them is an Aramaic version of Genesis with an account of the beauty of Sarah, a scroll containing 41 psalms (including 8 apocryphal compositions), and various fragments relating to the history and practices of the Essene sect. In addition there have been excavations at the site of the monastery presumed to be the source of the scrolls, and at Masada, the rock fortress where the Zealots made their last ditch stand against the Romans. Wilson discusses these finds from the point of view of the key scholars involved, dwelling at length on the theory that the teachings of Jesus and their elaboration into Christian doctrine may have come about through a gradual process of evolution within the Essene movement in which a principal leader, the Teacher of Righteousness, may have served as an earlier messianic model. Wilson reflects on how difficult it has been for scholars deeply confirmed in a particular orthodoxy to accept new ideas or sources. When compounded by the profound hostility, tension and frustration of life in the Middle East today it is no wonder that scholarship marches slowly and only someone of Wilson's caliber seems willing or able to take on the enormous task of explaining to the layman just what the acrimony and controversy is all about.
Pub Date: May 19, 1969
ISBN: 0006270182
Page Count: 312
Publisher: Oxford Univ.
Review Posted Online: Oct. 14, 2011
Kirkus Reviews Issue: May 1, 1969
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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