In Edmund Wilson's last collection of essays and reviews, gathered from The New Yorker and The New York Review of Books, we see that in his declining years he turned more and more to the past, styling himself as a "man of the Twenties," producing nostalgic evocations of childhood loves (his "fetishistic feeling" for Richard Harris Barham's The Ingoldsby Legends), commemorating enthusiasms of his intellectual youth (Mencken and Hemingway and The Waste Land), rescuing unfashonable authors from oblivion (Maurice Baring's books project "the varied conversation, at times almost opalescent, of a very pleasant companion, whom it is always refreshing to listen to, even if one may not always remember exactly what it was he said"), delineating the virtues of turn-of-the-century America through a suitably leisurely study of two neglected social novelists (Henry Fuller and Harold Frederic), and, finally, like the unrepentant anti,academic scholar that he is, castigating with acidulous glee, the phoney-baloney publishing practices of the Modern Language Association. Not what anyone would call a slambang farewell performance, certainly, but Edmund Wilson need hardly worry. His reputation as the most formidable man of letters of his generation has long been assured.
Pub Date: June 11, 1973
ISBN: 0374526699
Page Count: 238
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 14, 2011
Kirkus Reviews Issue: June 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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