A heartbreaking tale and a singular achievement.
In a feat of empathy and imagination, the Irish writer O'Brien portrays one girl’s torments after she is taken by jihadis in Nigeria.
Opening with a nighttime raid that recalls Boko Haram’s 2014 abduction of schoolgirls in Chibok, Nigeria, O’Brien (The Little Red Chairs, 2015, etc.) lets one victim, named Maryam, tell her story. In a jungle camp, their captors bombard the girls with prayers, edicts, and hatred. The militants rape them repeatedly. In the Blue House, there is “a long corridor with cubicles leading off it and in each one an iron bed and a naked bulb dangling down.” The prettiest girls are sold to wealthy men in Arabia. Others are given as brides to men who excel in battle. Such is Maryam’s lot, and when she has a baby, it’s suddenly clear how long her ordeal has been. Then, only 60 pages in, she escapes. But O’Brien withholds hope, opening her heroine’s world to new perils and despair. Maryam endures starvation and a friend’s death on a jungle trek with her baby that fuels tension as recapture seems inevitable. She even abandons her Babby, but some women from a herding community find and return her. They share their village and rich culture with Maryam. There she realizes her presence as a jihadi’s wife is a threat to her hosts. Reunited with her mother and feted by the government, Maryam learns of the stigma attached to a jihadi wife’s child and she is separated from Babby. Throughout the post-escape narrative, O’Brien uses every opportunity to insert songs, tales, myths, and rituals of the country, deeply enriching a story and a character that were already memorable. She also brings to the fore the complex relations and supportive roles of women in a novel largely blighted by males. Long associated with Ireland, O’Brien might spark questions of cultural appropriation with this excursion to Africa. But she has always dealt with women’s oppression as her thematic palette has expanded over the years, with her previous novel combining Balkan war crimes and the global refugee crisis.
A heartbreaking tale and a singular achievement.Pub Date: Sept. 10, 2019
ISBN: 978-0-374-16255-9
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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