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THE CATHOLIC SCHOOL

Name: THE CATHOLIC SCHOOL
Author: Edoardo Albinati
ISBN: 978-0-374-11925-6

by Edoardo Albinati ; translated by Antony Shugaar ‧ RELEASE DATE: Aug. 6, 2019

Talky and pensive; for readers who like their fiction laden with more reflections than deeds.

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A vast, philosophically charged novel of education, faith, and crime by Italian writer Albinati (Coming Back: Diary of a Mission to Afghanistan, 2004).

At the core of Albinati’s bildungsroman, its narrator a minor writer named Edoardo Albinati (“I’d like it if my reputation as a writer were sufficiently great that I could hope to have a street named after me in my city, just a little, out-of-the-way street”), is a terrible crime: Three alumni of his Catholic all-boys school kidnap, rape, and murder two teenage girls, a real-life 1975 event known in Italy as the Circeo massacre. Albinati mentions the crime early, then builds up to it over hundreds of pages in which he meditates on the ordinary violence of daily life in Rome and the specialized violence that comes from attending parochial school, with its cliques, beatings, and priestly oppression. Albinati’s hero is a pimply, unattractive nerd named Arbus, who, Albinati learns much later, was an intent student of “the different ways of killing people” even though he was mild-tempered and inoffensive in a setting that was "marked by a very particular enthusiasm for violent abuse." Albinati, as both writer and character, ponders the nature of this violence, especially as it is visited upon women (“The positive fact—positive, that is, in the sense of effective, documented—that women suffer violence becomes the very reason they suffer it”); among the other topics are the abuse of authority by authoritarians in the priesthood and in politics as well as the tangled politics of Italy, with some of his classmates communists, others fascists, and Arbus ever the individualist, a “Nazi-Maoist," which is to say, one of the people "who chose the worst…of right-wing and left-wing extremism." Albinati’s musings on the philosophical meanings of rape, murder, education, and other matters are the substance of this book, which, if boiled down to actual deeds, would scarcely add up to a novella. A little goes a long way, and there’s a lot of it.

Talky and pensive; for readers who like their fiction laden with more reflections than deeds.

Pub Date: Aug. 6, 2019

ISBN: 978-0-374-11925-6

Page Count: 1280

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 11, 2019

Kirkus Reviews Issue: June 1, 2019

Categories:

LITERARY FICTION

- BOOK REVIEW
COMING BACK
by Edoardo Albinati & translated by Howard Curtis

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CONCLAVE

by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

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Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Categories:

GENERAL THRILLER & SUSPENSE | LITERARY FICTION | RELIGIOUS FICTION | SUSPENSE | SUSPENSE

- BOOK REVIEW
PRECIPICE
by Robert Harris

- BOOK REVIEW
ACT OF OBLIVION
by Robert Harris

- BOOK REVIEW
V2
by Robert Harris

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.