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THE INVENTOR AND THE TYCOON

A GILDED AGE MURDER AND THE BIRTH OF MOVING PICTURES

A skillfully written tale of technology and wealth, celebrity and murder and the nativity of today’s dominant art and...

National Book Award winner Ball (Writing/Yale Univ.; The Genetic Strand: Exploring a Family History Through DNA, 2007, etc.) returns with a complex story about railroad tycoon Leland Stanford and the murdering man who for a time was his protégé, pioneering photographer Eadweard Muybridge.

Muybridge, as he writes, altered the spelling of his name about as often as a bored high school student. He sometimes went by “Helios.” (One name he didn’t use, but would have fit, was Edweird.) Ball fractures conventional chronology like a dry twig, rearranging the pieces into an appealing display. He begins on January 16, 1880, the day that Muybridge first displayed for Stanford and his guests the moving pictures of a running horse on a device Muybridge called a zoogyroscope, a device that projected images on a revolving disc. Ball tells the stories of Stanford (who rose from grocer to railroad magnate), the multiple careers of Muybridge, the technology of moving images—and, of course, the murder. Muybridge married Flora Downs in 1870, but his photography business took him away for lengthy periods, and Flora, back home, had needs—which she satisfied with Harry Larkyns (whose story Ball also relates), a handsome womanizer whom the jealous husband shot in 1874. Muybridge went on trial, but a sympathetic jury found him not guilty—despite witnesses and his confession. Ball charts Muybridge’s subsequent return to favor with Stanford, who hired him to photograph his new San Francisco mansion and who endowed his research into the science of the motion picture. But they eventually fell out (two large egos), and Muybridge tumbled into obscurity after Thomas Edison’s technology eclipsed his own.

A skillfully written tale of technology and wealth, celebrity and murder and the nativity of today’s dominant art and entertainment medium.

Pub Date: Jan. 22, 2013

ISBN: 978-0-385-52575-6

Page Count: 496

Publisher: Doubleday

Review Posted Online: Oct. 21, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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