by Edward Ball ‧ RELEASE DATE: Feb. 20, 1998
A journalist's exhaustively researched, intensely personal quest confronts the legacy of slavery connecting his South Carolina family and the people they enslaved. Ball's mission, in reckoning with a past for which he feels accountable, if not responsible, is twofold: explore the story of his white slave-owning ancestors and seek out descendants of the people they bought and sold. The former Village Voice columnist displays his journalistic moxie wading through the voluminous written record (10,000 pages of family papers spanning four centuries, National Archives documents, census reports, and more) to flesh out the family character and track down slave descendants. Some were unaware of their ancestry. Others, like Emily Marie Frayer, whose parents were enslaved at Limerick, one of a dozen Ball plantations in the Charleston area, tapped a rich oral history that supplements Ball's research. Consumed with the question of how slavery shaped the identity of both black and white families, he struggles to divine his ancestors' attitude toward slaves, sifting conflicting evidence that suggests they were both kind masters and cruel taskmasters. He gets more grief from his own family than from blacks, who view his earnest apologies as largely irrelevant— though one man credits Ball with being ``man enough'' to try. ``There is nothing I can do to give back for the pain that my family caused your family,'' he tells Frayer, during an emotional trip to her birthplace. But in trying to make amends, he links several families (through Ball family papers recording slave purchases) to their African ancestry—a rare gift that, while falling short of reparation, does establish a vital entrÇe to their past. Ball's impressive detective work and the black voices it records build a monumental and extraordinary case history of the rise and fall of America's most shameful institution. Together, their searing, soul-searching grappling with past sins strikes deep at the heart of the country's enduring racial division. (First serial to the New Yorker)
Pub Date: Feb. 20, 1998
ISBN: 0-374-26582-8
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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