EDITH HOLLER

A comic novel (tinged with gothic elements) about a girl trapped in her family’s theater in Norwich, England in 1901.

When Edith Holler—the precocious 12-year-old narrator of this twisty tale—was christened, an old actress put a curse on her: If the girl ever stepped outside, she would die and the “entire theatre would come tumbling down.” Afterward, the story goes, the actress exploded, spattering blood everywhere. But is the story real? “We who live in the theatre here have some belief in magical things,” Edith tells us. Both imprisoned and perfectly content, Edith roams the nooks and crannies of the theater, and when she tires of this, she reads about the town’s history and makes a disturbing discovery: The children of Norwich have been disappearing in astonishing numbers. Moreover, she has a pretty good hunch who’s responsible: folk legend Mawther Meg, the woman who allegedly invented Utting’s Beetle Spread, a local delicacy. Since no one takes her seriously, Edith pursues the only avenue open to a child forbidden by her father from speaking to outsiders: She writes a play. This, in turn, sets into motion an uncanny sequence of events that seems to come straight from her script and gives credence to her father’s warning that once a play is out in the world, its characters come to life. Though Carey’s book runs a wee bit long, it is a raucous romp through the world of early 20th-century theater, with its barrels of fake blood and donkeys living in the bowels of the understage to provide the muscle for scene changes. In ways both witty and dark, the novel brilliantly probes the distinction between drama and real life, audience and performer, actor and character. And the whimsical illustrations, all drawn by Carey himself, are the perfect accompaniment to a story about an art form as visual as it is verbal.

A wonderfully strange and quirky tale about the power of penning and performing tales.