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CARLOS CROSSES THE LINE

A TALE OF IMMIGRATION, TEMPTATION AND BETRAYAL IN THE SIXTIES

A solid historical novel that explores how love, hate, and prejudice can last for decades.

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A migrant worker and a rancher's daughter form a lasting connection in this historical novel.

Webster, the author of Soul of Toledo (2016), presents a narrative that bounces between the late 1960s, the 1990s, and beyond, showing the lasting impact that people can have on each other’s lives. Mexican Carlos Montoya, who regularly travels between his home country and the United States as a migrant worker, goes to work in the fields of the Booker family’s ranch in California in 1967. He catches the eye of the owner’s wife, Amy Booker, who hires him to pose for her provocative drawings, which she uses to irritate her husband; however, Carlos ends up sleeping with Amy’s 20-ish daughter, Julie. Although he loves his wife, Isabel, back in Mexico, Carlos also begins an emotional and eventually sexual affair with a local woman, María. Carlos becomes the victim of police brutality—with details revealed over the course of the book—and returns to Mexico, where he wants to forget about his California years. In 1994, as debate rages over Proposition 187, which aims to deny state services to the undocumented, Lilia Gomez, who works for Julie, goes to visit Carlos in Michoacán. Carlos, now a widower, reluctantly tells her the story of his time with Julie; however, he and Lilia later fall for each other. Meanwhile, Benito Ortega, a young San Francisco activist, fights for immigrant rights while discovering his own connection to Carlos, and Julie resolves her own loose ends. Despite the sprawling and occasionally melodramatic plot, this novel is highly readable and easy to follow as the narrative and characters move between different eras and locales. Throughout, Carlos is a challenging protagonist, and his attempts to justify his infidelity are particularly infuriating, but Webster depicts his complexities with empathy. The author’s depictions of racism and brutality straddle the line between evocative and cartoonish (“Don’t you know that ranchers conspire against their workers?” Julie says. “María’s overseer would beat you for fun, then hand you to my father”). Overall, though, they generally help to present a vivid portrait of the challenges that Carlos faces throughout the story.

A solid historical novel that explores how love, hate, and prejudice can last for decades.

Pub Date: Aug. 4, 2020

ISBN: 978-0-9970320-1-7

Page Count: 308

Publisher: Self

Review Posted Online: Sept. 15, 2020

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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HERE ONE MOMENT

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

What would you do if you knew when you were going to die?

In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

Pub Date: Sept. 10, 2024

ISBN: 9780593798607

Page Count: 512

Publisher: Crown

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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