by Edward Fahey ‧ RELEASE DATE: Aug. 26, 2024
An insightful, quirky memoir and eclectic collection of observations on spirituality, life, and love.
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Fahey collects his observations on humanity, relationships, and the absurdities of life in this debut memoir.
“They say karma is like ripples on a pond,” writes the author in the book’s opening epigraph, adding, “with me it’s been more like a smashing game of dodge ball.” This line sets the tone for a memoir that that blends philosophical insights with absurdist humor. In 26 vignette-like essays, Fahey recalls stories and adventures from his life, including a travelogue of an extended trip to Europe to explore ancient cemeteries. Interactions with friends, lovers, and family abound; he describes his close bond with a 3-year-old great-niece with whom he connected while she was crawling around on the floor (“we were both the same age; my feet were just bigger”). He has experienced, in his own words, a life full of “wonders and weirdos”; the author confesses a childhood obsession with “everything spooky and strange” and describes his half-century membership in the Theosophical Society, a religious group known for its esotericism that blends Western mysticism with East Asian spirituality. One particularly fascinating chapter, a full-color photographic essay titled “Orbs,” explores the author’s beliefs regarding the spiritual forces behind camera “backscatter” (the optical phenomenon caused by a camera’s flash reflecting on particles in the air). Detailing his eclectic spirituality, Fahey is unafraid to address his personal “self-inflicted psychological muck” and emotions (“Being too sensitive,” he writes, “can rub your heart raw”). While often poignant, Fahey’s writing is refreshingly self-aware and careful not to take itself too seriously, as evidenced when the author compares his life to the epic poem The Odyssey—“but with woopie cushions.” Even while embracing New Age spirituality, encouraging the reader to “Welcome yourself as the All” and to avoid fighting evil with “hatred in our own hearts,” he also pokes fun of likeminded spiritualists who call themselves “Guru something or another. Or Light Seeds, or Star Farts.”
Indeed, much of the book’s humor is scatological and includes occasional vulgarities—this may not fit the tastes of all readers. Similarly, while the book’s observational humor—including comparisons between British and American culture—is often hilarious, some of the non sequiturs may leave readers scratching their heads. (“I pick up the dog poo when I go out,” Fahey writes in an example of what he describes as “brief bursts of the utterly ridiculous,” concluding, “I don’t have a dog; I just like picking up poo.”) The author of four novels, some of which are referenced in this memoir, Fahey is a seasoned writer who expertly balances goofy humor with keen insights into the human experience. While the book’s stream-of-consciousness writing style is at times dizzying as the author jumps from topic to topic, the skilled wordsmith has a knack for the apercu. He is also a talented artist; his pencil sketches are featured in the book’s cover art and accompany one of the book’s essays. The work’s spiritual takes, from references to fairies in English woods to ghosts with Tourette syndrome, may not resonate with agnostic or religiously orthodox readers, though it is hard to quibble with the author’s kindhearted, nondogmatic desire to “find our ways into brighter, clearer, more hopeful worlds.”
An insightful, quirky memoir and eclectic collection of observations on spirituality, life, and love.Pub Date: Aug. 26, 2024
ISBN: 9798886796599
Page Count: 240
Publisher: Luminare Press
Review Posted Online: Aug. 30, 2024
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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