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THE RETREAT OF WESTERN LIBERALISM

Learned and well-considered, but if indeed Western liberal values are in danger of extinction, readers may seek more urgency.

Trump, Putin, Kim, Xi: given the current lineup, can the ideals of the Enlightenment endure?

Authoritarianism is in the ascendant everywhere in the Western world, with Marine Le Pen gaining momentum in France and, of course, Donald Trump becoming president in the United States. But these, Financial Times Washington commentator Luce (Time to Start Thinking: America in the Age of Descent, 2012, etc.) observes, are symptoms of a greater decline. In a trajectory of liberalism that the author traces to the Magna Carta in 1215 and that reigns nearly supreme in 1989 with the fall of the Berlin Wall, the forces of liberty, equality, and fraternity have splintered, while “belief in an authoritarian version of national destiny is staging a powerful comeback.” Luce’s case is long on description and laced with useful data—e.g., given that an iPhone is made in nine different countries, Trump’s nationalist rejection of trade agreements is both anachronistic and stupid, the more so because—and this is a contentious claim on Luce’s part—China is likely to outstrip the U.S. economically in the very near term. China is not the only challenge. The greater danger to the American middle class, writes the author, is artificial intelligence, a machine-driven global capitalism without much regard for the “enlightened self-interest that defined much of postwar America” until the last election. Luce’s argument, though meritorious, lacks much rhetorical fire; in the hands of a Francis Fukuyama or Jacques Barzun on the right or a Christopher Lasch or Bernard-Henri Lévy on the left, it might have been more memorably delivered and with more prescription to leaven the description. Still, there are some nicely pithy moments, including his parting shot: “Liberal elites, in particular, will have to resist the temptation to carry on with their comfortable lives and imagine they are doing their part by signing up to the occasional Facebook protest.”

Learned and well-considered, but if indeed Western liberal values are in danger of extinction, readers may seek more urgency.

Pub Date: June 13, 2017

ISBN: 978-0-8021-2739-6

Page Count: 232

Publisher: Atlantic Monthly

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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