A concise, thoughtful exploration of how human understanding will be enhanced by “a humanistic science and a scientific...
Two-time Pulitzer Prize winner Wilson (Emeritus, Evolutionary Biology/Harvard Univ.; Half-Earth: Our Planet’s Fight for Life, 2016, etc.) offers a philosophical examination into “the mystery of why there are universal creative arts.”
The author’s answer exemplifies an alliance between science and the humanities that he champions throughout the book. Such a blending, he maintains, could “reinvigorate philosophy and begin a new, more endurable Enlightenment.” Wilson identifies five fields of research where this blending can be especially fertile: paleontology, anthropology, psychology, evolutionary biology, and neurobiology. These fields may allow “the full meaning of the humanities” to emerge by helping the humanities overcome their shortcomings: “they are rootless in their explanations of causation and they exist within a bubble of sensory experience.” The big five fields are united by a “common thread” of belief in the crucial importance of natural selection. “Nothing in science and the humanities makes sense except in the light of evolution,” Wilson quotes a geneticist, including the existence of creativity. The author sees language as “the greatest evolutionary advance,” setting Homo sapiens apart from other species: “Without the invention of language we would have remained animals. Without metaphors we would still be savages.” Early Homo sapiens had a larger brain than their ancestors, providing “larger memory, leading to the construction of internal storytelling” and “true language,” which in turn gave rise to “our unprecedented creativity and culture.” That rapid transformation “was driven by a unique mode of evolution, called gene-culture coevolution,” in which cultural innovation and genes favoring intelligence and cooperation occurred “in reciprocity.” Wilson’s writing is at its most luminous when describing the “chitinous armor” and glistening bodies of ants—“one of the most beautiful animals in the world”—to which he has devoted much of his career. His more abstract analysis, though sometimes repetitious, is nevertheless salient.
A concise, thoughtful exploration of how human understanding will be enhanced by “a humanistic science and a scientific humanities.”Pub Date: Oct. 3, 2017
ISBN: 978-1-63149-318-8
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
The Stoics did much better with the much shorter Enchiridion.
A follow-on to the author’s garbled but popular 48 Laws of Power, promising that readers will learn how to win friends and influence people, to say nothing of outfoxing all those “toxic types” out in the world.
Greene (Mastery, 2012, etc.) begins with a big sell, averring that his book “is designed to immerse you in all aspects of human behavior and illuminate its root causes.” To gauge by this fat compendium, human behavior is mostly rotten, a presumption that fits with the author’s neo-Machiavellian program of self-validation and eventual strategic supremacy. The author works to formula: First, state a “law,” such as “confront your dark side” or “know your limits,” the latter of which seems pale compared to the Delphic oracle’s “nothing in excess.” Next, elaborate on that law with what might seem to be as plain as day: “Losing contact with reality, we make irrational decisions. That is why our success often does not last.” One imagines there might be other reasons for the evanescence of glory, but there you go. Finally, spin out a long tutelary yarn, seemingly the longer the better, to shore up the truism—in this case, the cometary rise and fall of one-time Disney CEO Michael Eisner, with the warning, “his fate could easily be yours, albeit most likely on a smaller scale,” which ranks right up there with the fortuneteller’s “I sense that someone you know has died" in orders of probability. It’s enough to inspire a new law: Beware of those who spend too much time telling you what you already know, even when it’s dressed up in fresh-sounding terms. “Continually mix the visceral with the analytic” is the language of a consultant’s report, more important-sounding than “go with your gut but use your head, too.”
The Stoics did much better with the much shorter Enchiridion.Pub Date: Oct. 23, 2018
ISBN: 978-0-525-42814-5
Page Count: 580
Publisher: Viking
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
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