by Edward Said ; edited by Moustafa Bayoumi & Andrew Rubin ‧ RELEASE DATE: Feb. 12, 2019
What becomes most evident rereading Said’s work—besides the startlingly clear prose and impeccable scholarship—is how his...
Expanded selections from the Edward Said Reader (2000), including parts of the author’s memoirs and posthumous essays.
Edited by Said’s former doctoral students Bayoumi (English/Brooklyn Coll.; This Muslim American Life: Dispatches from the War on Terror, 2015, etc.) and Rubin (Archives of Authority: Empire, Culture, and the Cold War, 2012), the collection moves chronologically through Edward Said's (1935-2003) distinguished literary career. The selections are framed nicely by Said's initial abstract investigation into how autobiography played in the fiction of Joseph Conrad (1966) and his final fascination with the “late style” as Theodor Adorno defined in his work on Beethoven. As noted helpfully in the editors’ brief introduction to each selection, Said, a Jerusalem-born Palestinian raised largely in Cairo and schooled in the West, was radicalized by the Arab-Israeli War of 1967, underscoring the “disappeared worlds” of his own youth and essentially plunging him into his subsequent lifelong literary pursuits of exile, dislocation, and authority. He became deeply politically engaged, and the pivotal work that made his initial reputation, Orientalism (1978), delineating Europe’s representations of the East, had a hard time finding a publisher due to its anti-mainstream, pro-Palestinian stance. Said wrote relentlessly about the Palestinian national experience and emphasized that it belonged within the discussion of Zionism, while his own experience of peripatetic rootlessness informed his essay “Traveling Theory” (1982) as well as his Proustian memoir, Out of Place (1999). Also an accomplished pianist and music critic, Said collaborated with Israeli pianist and conductor Daniel Barenboim on numerous projects (several of Said’s journalistic essays on music are presented here). His last uncompleted work, on “timeliness and lateness,” is especially intriguing, as he was dying of cancer and was fascinated by aging artists’ “unresolved contradiction” as a form of exile.
What becomes most evident rereading Said’s work—besides the startlingly clear prose and impeccable scholarship—is how his contrary, original thought has affected other intellectual disciplines.Pub Date: Feb. 12, 2019
ISBN: 978-0-525-56531-4
Page Count: 656
Publisher: Vintage
Review Posted Online: Oct. 22, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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BOOK REVIEW
by Edward Said & edited by Moustafa Bayoumi & Andrew Rubin
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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