by Edward Shorter and Max Fink ‧ RELEASE DATE: July 28, 2018
A fine study of desperate patients and the shrinks who failed them.
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The psychiatric establishment blew it on one of the most important mental illnesses, according to this academic treatise.
Shorter (What Psychiatry Left Out of the DSM-5, 2015), a psychiatrist and historian at the University of Toronto, and Fink (Electroshock, 2008), a psychiatrist at Stony Brook University medical school, investigate the vexed history of catatonia, a terrifying mental disorder with a panoply of bizarre symptoms. Catatonic patients can fall into a stupor, staring fixedly into space while frozen into rigid postures for hours on end, refusing to talk, eat, or comply with any request; make strange, repetitive motions and grimaces; or burst into violence and self-mutilation. Though outwardly uncommunicative, sufferers are often alert and feel a sense of extraordinary fear during catatonic episodes, and not without reason—in extreme cases, victims have been mistaken for corpses and buried alive. Catatonia was identified as a distinct disease in 1874, but the psychiatric mainstream during most of the 20th century, the authors contend, incorrectly characterized it as a subtype of schizophrenia, with tragic results. Schizophrenic patients with catatonia were given drugs that were ineffective or made things worse while other cases often went undiagnosed—even though successful treatments, through drugs and electroshock, had been available since the 1930s. Shorter and Fink offer a probing, well-informed, and very readable account of the arcane theorizing and factional struggles by which psychiatrists hashed out a consensus on catatonia, schizophrenia, and other psychic ailments, one that’s enriched with dozens of intriguing case studies. (One patient snapped out of his immobility only when told he was pitching a baseball game, a task he dutifully undertook in the hospital hallway; another did somersaults for weeks until she died.) Their scholarly approach doesn’t preclude colorful opinionating. They write that catatonia “was kidnapped by dementia praecox and schizophrenia, the Bonnie and Clyde of the diagnosis world”; disparage the concept of schizophrenia itself as “a wastebasket for the unclassifiable and untreatable”; and dismiss the whole of Freudian psychoanalysis as “an obscure offshoot of speculative philosophy.” The result is an engrossing portrait of a fearsome and fascinating disease and a searching inquiry into the ways in which doctors misunderstand the mind.
A fine study of desperate patients and the shrinks who failed them.Pub Date: July 28, 2018
ISBN: 978-0-19-088119-1
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: Nov. 29, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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