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AT LAST

From the Patrick Melrose series , Vol. 5

St. Aubyn tries for a Muriel Spark kind of black comedy but lacks her finesse.

A London funeral stirs up a lot of memories but few epiphanies in this British author’s latest, which concludes a trilogy.  

You may remember the protagonist, Patrick Melrose. He was the one with the evil father in Some Hope (2003), and a father himself, alcoholic and self-destructive, in Mother’s Milk (2006). Since then he has separated from his wife Mary and their two sons and exiled himself to a small studio, after a month at a Suicide Observation Room in a mental hospital, where he managed to dry out. Now, after two mute years in a wheelchair, his mother Eleanor has died, making Patrick a 45-year-old orphan. The action, such as it is, covers the crematorium funeral and subsequent reception; mixed in are family memories. The most jolting, though they cover some old ground, are those of David, Patrick’s father. He raped Eleanor (Patrick was the product); later he raped his son and other kids; he almost killed Eleanor before she divorced him. Patrick’s sour take is that his mother was a masochist who colluded in David’s crimes; he says, more than once, that her death is a relief. St. Aubyn also delves into Eleanor’s background: a fabulously wealthy American family, scarred by divorce and alcoholism. Her extravagant sister Nancy, present at the funeral, is the sad result; she’s been stealing and freeloading all her life. (Why are trust funds never big enough?) Eleanor though, a kooky philanthropist, gave everything away to a New Age foundation. After the service (it begins with a Porgy and Bess song and ends with Sinatra) the chatter rises to a crescendo. Back in his studio Patrick, more forgiving now, sees his “supposed persecutors,” his parents, as “unhappy children” themselves. It’s a curious conclusion. 

St. Aubyn tries for a Muriel Spark kind of black comedy but lacks her finesse. 

Pub Date: Feb. 1, 2012

ISBN: 978-0-374-29889-0

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 4, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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